2026

ArtNews - Museo de arte de Pereira Closes Due to Extensive Earthquake Damage

frieze - How Gabriele Stötzer Defied the Stasi

Boston Art Review - Austerity Comes for the Biennale

e-flux education - Fifteen Years of Soma: Why Institutionality Can Be its Own Political Act

Boston Art Review - Mayor Wu’s Cut to FY 2027 Arts Budget Reveals Broader History of Underinvestment in the Arts and Leaves Programs in Limbo

El País - Las Contradicciones del Oro Hechas Arte

New York Times - Who’s Pulling the Strings on the World Stage? Ask the Puppets

ArtForum - Lucas Samaras

ICA VCU - Living to Learn

Boston Art Review - Brown Faculty Protest Elimination of Bell Gallery Curators in Letter Alleging Governance Violations

Boston Art Review - MFA Boston Layoffs Thrust the Museum into a Credibility Crisis with Staff and Publics

2025

Boston Art Review - 2025 Foster Prize Review

Prospect 6 - Thomas Deaton: The Clowns Are Just A Smoke Screen

e-flux criticism - La Madre, Las Palabras Con Nombre, Un Sorbo y Cuatro Rayos

New York Times - At This Architectural Gem, An Artist Was Present. Horses Too.

ArtNews - 7 Under the Radar Shows During CDMX Art Week

2024

October - Art Communities at Risk: On Tbilisi

New York Times -As Georgia Decides Its Future, Artists Worry About Theirs

e-flux - The Hacking of Culture and the Creation of Socio-Technical Debt

Radio UNAL - Análisis UNAL: "Resistencia y Desobediencia Civil"

e-flux criticism - 60th Venice Biennale

ArtNews - CDMX Art Week Round Up

2023

New York Times - Apocalypse Anxiety, the Musical

ArtForum - Entanglements

e-flux criticism - Coded at LACMA and Difference Machines at UC Irvine

ArtForum - Tamuna Sirbiladze

2022

e-flux criticism - What’s Next: 2022 Exhibition Round Up

ArtForum - Slavs and Tatars, Giorgi Khaniashvili

e-flux criticism - Hacer Noche 2: Promised Land

e-flux education - Documenta 15

e-flux criticism - Witch Hunt and the Hammer and ICA LA

2021

Association Internationale des Critiques d'Art - Marvelous Survival: 20 Years of SITAC

'Diedrick Brackens and Katherine Bradford' at the Carpenter Center for Visual Art

2020

de Appel - Everything is New // The Right to Breath as Shibboleth

2019

Art Agenda - Moving Backwards at JOAN Los Angeles

Momus - Marfa’s Two-Step: The Uneasy Landscape of Minimalist Heaven

Art Agenda - Dancing at the End of the World

Mousse Magazine - Yto Barrada at Casa Estudio Barragán

Solar Magazine - Travesia Cuatro

Art Agenda - Mexico City Art Week

2018

Art Agenda - Gallery Weekend CDMX 2018

Good Magazine - Charting A Greener Future For Mexico’s Aztec Floating Gardens

2017

Momus - Jill Magid's Post-Truth Diamond Proposal 

Art Review - Edgar Orlaineta: History is taking flight and passes forever

2016

Art Agenda - Lima Gallery Round Up

frieze - Postcard from Lima

SFMOMA Open Space - Drawing the Curtain: New and Old Violence in 3 Acts

Art Review - Beyond Lawn and Order 

frieze - Nicholas Ceccaldi at House of Gaga

Art Review - Chelsea Culprit

Art Review - The Natural Order of Things

Art Review - Francis Alÿs

Art Agenda - Elusive Earths III

Momus - Misogyny and the Myth of the ’90s at Mexico City’s Kurimanzutto

Art Review - Chantal Peñalosa

SFAQ - Virginia Colwell

SFAQ - Material Art Flair

Art Review - Sangree

2015

Momus - The Function of Gossip as Criticism in Mexico’s Artworld

Momus - Contemporary Art Writing in Mexico 

SFAQ - Fordlandia Fever Dream

SFAQ - On Beauty in Mexico

SFAQ - Swimming in Self Reflection

SFAQ - Ojo en Rotación